latin grammy award winner for best portuguese language rock or alternative album. tape release.

featuring remixes from scene trailblazers such as dead man s chest, sonar s ghost, double-o, friske, au & jesta, and more. repertoire 10/20 is a broad look at underground drum and bass

2020 re edition! supported by dj dixon and efdemin

latin grammy award winner for best portuguese language rock or alternative album. clear vinyl lp and bonus black 7 inch in gatefold sleeve.

psychedelic deep techno from feral on 180 gram vinyl, housed in a custom cut full colour sleeve.

vinyl 1 from black barrel’s album “last frontier”. turquoise & black mixed vinyl.

istanbul based global record company caz plak proudly presents -kÜn-, the first solo album of cem y&#305,,,,,,ld&#305,,,,,,z, one of the preeminent faces of the electronic-traditional hybrid music in turkey.

cem y&#305,,,,,,ld&#305,,,,,,z known as one of the important musicians of past years and has an impressive career, from his education in istanbul technical university conservatory to the orient expressions band, from montreux jazz festival to one of the world s most esteemed music festival sonar barcelona, -&#304,,,,,,nsanlar- the band that he founded with bar&#305,,,,,,&#351,,,,,, k, soundtracks of various tv shows and movies, the smash hit song called -stil- which he composed and read on the musique de france album of acid arab and made a tremendous impression all over the world. kün album, in this respect, is the first solo album of cem y&#305,,,,,,ld&#305,,,,,,z and represents a new phase of hybrid music retaining his signature sound, blending traditional, electronic, psychedelic music and anatolian philosophy.

kün has recorded in istanbul, mastered in los angeles and produced by caz plak in 12 lp format in limited numbers.

antinote and dizonord present studiolo belfiore, veneto, 1447. birth of the first studiolo or cabinet of curiosities, these rooms where rare, new, and singular things, often exotic, were stored and exhibited. a practice that would spread throughout europe during the renaissance.

incl tracks by echocord, mutek, sonar, rbma, and monolake.

vinyl ep with download code included.

theres no better man to mark the fiftieth release on wolf music than south london stalwart and og wolf family, medlar. marrying techy touches and ukg stylings, with sonar bumps and medlars signature, sample-heavy groove, its a fitting way to bring in the half century.

the fifth release from the bunte kuh label is another winner: it comes from bardia salour and features three fresh originals with a remix from peter schumann. it s also set to be available on vinyl release too. salour is a german artist who runs his own esteemed events in hamburg and has played all over europe from watergate in berlin to culture box in copenhagen. his dub infused style is utterly distinctive and these new cuts prove that once more. north scapes opens up with a molten, acid tinged bassline. as it grows more wild there are icy hi hat loops layered in with some big piano chords to finish it in style and mean the floor will really go wild. liquid lava is more direct, with hard hitting techno kicks and deft synth sounds colouring in the grooves. then comes the excellent urban signals, a dramatic, dubbier cut with cavernous bottom ends and subtle, supple synths layering in warmth and atmosphere. last of all, peter schumann s lsd25 restyle of north scapes pairs it back to a warm, bubbly warm up house tune that will get you moving with its sonar blips and nice, deep cut and churning drums. all four of these tracks are fresh and classy efforts sure to make their mark.

2nd kollaboration from johannes brecht (diynamic) with christian prommer (sonar kollektiv)

today kimochi sound gets baltic sea sonar pinging techno deep, maybe something like bridging the gap between sleeparchive and mono junk. there are enough hypnotic spaces and hallucinatory frequencies in these loops to tide over the dark winter months, with enough funk packed into the riddims to inspire some heated early morning grooves.

tim & dwarde return for globex corp volume 6 with their hippin and their hoppin and their bippin and their boppin . four fresh jungle/hardcore cuts from tim, dwarde and a special guest appearance from the mighty sonar s ghost!

2018 repress , new label run by chicagodeep & taelue kicks off with 4 tracks by specter, chicagodeep, taelue, and and edit from linkwood (firecracker).

russian drum & bass producer black barrel is one of the most sought after producers to come through the ranks in recent months. after his discovery by ant tc1, a tastemaker who’s founded the careers of many similarly talented artists, he was brought into the fold of dispatch recordings and has since dropped a plethora of heavy-hitting releases which have solidified his place within the genre. with support from many of the underground scene’s pivotal heads, including break, radio 1’s rene lavice and dlr, his widening back catalogue is finding itself within major clubs globally.
turquoise & black mixed double vinyl in full colour sleeve.

myor are massively proud to finally welcome tim reaper to the family. on the a-side tim and coco team up for two darkish-yet-uplifting hardcore cuts in the best of 92/93 traditions: one version for the pleasuredome and one for the thunderdome. on the flip the darkness is left behind altogether. e is for energy, euphoria, ecstasy, or in the case of sonar s ghosts sublime remix, elevation, to a higher level of junglism

der wiener produzent & synthie-zauberer dorian concept veröffentlicht sein brainfeeder-lonplayer-debüt!
seit der veöffentlichung seines albums „joined ends“ im jahr 2014 trat dorian concept überall auf, von glastonbury über sónar bis hin zu moma ps1 s warm up, und bewegte sich fortan bewusst unterhalb des radars. seither hat er die zeit damit verbracht, sich von seinem eigentlich wunderbaren produktionsprozess zu verabschieden und stattdessen einen brandneuen sound zu entwickeln, mit dem so niemand rechnen kann. inspiriert vom eklektizismus zahlreicher musikgenerationen (60er-jazz, 70er-fusion, 80er-neo-prog-rock, 90er-electronica), versuchte dorian concept, -moderne- musikelemente mit altmodischen methoden zu replizieren, live zu spielen und täuschend digitale klänge im dienste einer ironischen -parodie der nostalgie- aufzunehmen. erwartungsgemäß ist das ergebnis - aller kalkulierten und konzeptuellen Überlegung zum trotz - erfrischend unprätentiös: schwindelerregende crescendi, kakophone brüche und formidable rhythmen sind sowohl fachkundig produziert als auch kindlich, hyperaktiv und hyperfokussiert.
die vinyl-lp erscheint inklusive downloadcode.

back in stock !! double pack from rick wilhite on mahogani. act quick! 1 per customer

r&s welcome back highly-revered techno artist benjamin damage with his new double headed single ‘malfunction / binary . ‘montreal’ from his debut r&s ep proved to be one of the label s biggest techno releases of the last few years - the pummelling drums, intense atmosphere and beatuiful melodies are synonymous with the music that has made the label timeless. road tested in benjamin’s heavy artillery live shows across the globe, malfunction / binary pick up where the last ep left off - pistoning rhythms, breakneck beats and monolithic bass, but this time the mood is more reflective and optimistic - skying cloud-like pads offer a dreamy counterpoint. made between london and berlin, following recent live shows at berghain and oval space, benjamin’s wanderlust and restless studio dynamic sees him continually breaking down his gear to travel, “being on tour with all my gear i find it quite easy to work in new places,” he explains. “i like the energy of different cities and it s good to keep moving.” this new ep is announced ahead of a huge, all hardware live show at sonar by night in barcelona. with ‘malfunction/binary’ sure to do the business and an album in progress for r&s scheduled for 2019 it’s going to be an exciting year ahead!

phil gerus is a natural musical talent who oozes sound from every pore. fusing together cassette pop, disco, soul, r&b and funk, his sounds are effortless but hugely emotive and have come out on labels like sonar kolkektiv, manmakemusic (george fitzgerald’s label), futureboogie and true romance. growing up in moscow, phil studied classical piano and was heavily influenced by his parents’ music tastes, including jazz records of oscar peterson, bill evans, and keith jarrett, it is these classy vibes that permeate his own creations. phil has played around the world at leading clubs like japan’s dommune, studio 80 (amsterdam), mojo club (hamburg) and various hotspots in europe and russia. phil is also a regular guest on radio shows around the planet and is considered as an artist on the rise.

with flaneurecordings no. 5 comes a new -robin masters orchestra- ep. after the last remixes on fm music, sonar collective or society 3. 0 recordings, now follows the sixth ep of the -robin masters orchestra- and is also the first release from the upcoming album.

as a dutch label, were proud supporters of the homegrown sounds of guys like nachtbraker, frits wentink and fouk. adding another dutchie to our list of exquisite producers, we present you pitto with his debut on heist recordings. pitto is a musically omnipotent creature, venturing into deep house with the underground hit richklap on wolfskuil back in 2012 and dreamy electronic pop with his album breaking up the static on sonar kollektiv and virgin. he has also moved beyond producing his own music, running studio stekker, a dutch music festival that focused on freeform creative interactions between musicians where the artists performing on the festival locked themselves up a week in advance in kytopia (colin benders synth paradise) to make new music together. through this, hes worked with people like kyteman, matthew johnson, sebastian mullaert and colin de la plante, better known as ‘the mole, who is also present on pittos heist debut with a remix. the ‘late night studio moves ep is one of varied styles, where pittos inspiration from african music, jazzy and soulful samples becomes evident. he finds his ‘funk in repetition, clever sample combinations and combining electronic and live elements in the most organic way. ‘late night studio moves finds its basic groove in an african percussive loop.

two of russian electronic music’s rising stars, phil gerus and alexander lay-far, invite you to join them at the solitary high social club. while table service is provided, they’d much rather you throw caution to the wind and head to the dancefloor.
before joining forces in the studio, both moscow-based musicians have delivered a string of memorable solo productions. lay-far has previously released a wealth of material on such labels as local talk, city fly, lazy days and 4lux black, while synthesizer fetishist gerus has showcased his electrofunk and disco-fired cuts on futureboogie recordings, sonar kollektiv, public release and superior elevation records.
the five tracks that make up solitary high social club deliver a perfect marriage of the two producers’ distinctive solo styles, combining the rich musicality of lay-far’s house productions with the spacey, intergalactic electronics of gerus’s discoid adventures. in many ways, it’s a marriage made in heaven – or in lay-far’s celebrated in-beat-ween studio, at least.

fina records welcome jad & the for a new ep that shows off the australian-born, berlin-based producer’s majestically melodic house sound. a special dub from 6th borough project makes this another essential release. before now jad & the has served up tracks of the year (‘strings that never win’ - mixmag 2017), fronted four piece live act mitzi—who played alongside the likes of nile rodgers—and also produced as jad & the ladyboy, all the while picking up fans like moxie and bradley zero. sonar kollektiv and toy tonics have put out his charming sounds before and this new one is another joyous offering. the feel good ‘2 getha (4 eva mix)’ kicks things of with old school drum breaks and loved-up vocals. big smeared pads, a new age melody and classic bassline line finish it off and carry you away to summery house heaven. ‘twist club’ then drops into lush deep house with a long legged bassline tumbling beneath organic drums. it’s a dreamy and romantic cut before ‘disco hold down’ has live sounding jazz drums, choppy vocals and rough edges that take you to the heart of a vibe-fulled basement party. delusions of grandeur’s 6th borough project serve up a dub that’s more stripped back and built on a big rubber bassline. jacking drums and a more rapturous vocal make it a truly steamy jam.

glyn bigga bush has been producing electronic and sample-based music since the early 90s when he formed rockers hi fi, going on to release numerous albums. since the turn of the century he has produced and dj d as biggabush as well as various side projects such as lightning head (sonar kollektiv), the dandelion set (buried treasure) and the magic drum orchestral (tru thoughts). biggas latest project sunken foal stories represents a departure from much of his other work in that it is not primarily based on beats. instead, his working method was to go with fascinating samples, accidental juxtapositions and irregular loops inspired by pioneers of sound such as faust and the audio experiments of julian house as well as early stereo test records, soundtracks and library music.

vienna-based producer sam irl popped up on our radar a couple of years ago following stellar releases on jazz & milk, but honestly we should have been paying far closer attention as this guy has been making the best crunchy, mpc-driven jazz-infused house music dating right back to 2006. ep’s for s3a’s sampling as an art and collaborative projects with patrick pulsinger and dusty have won him fans including gilles peterson (leading to a release on brownswood), mr scruff and session victim amongst many others. his live sets have also seen him perform at the hallowed grounds of panorama bar and sonar festival. for his debut ep here on freerange sam has delivered four tracks which perfectly showcase his production skills and knowledge of what makes a dance floor tick, kicking off with title track rain technique. quirky keys and a playful groove help build a warm and charming vibe, light and bouncy yet deep and driving enough to get your dance on to. trust follows with loping, lopsided percussion forming the basis of the groove, sparse rhodes pads punctuating the beat and adding just the right musical element to the mix without cluttering the beats or compromising the sense of space. flipping over we have all thats left which sees sam utilising his trusted tr606 for some lovely snappy snares and sizzling hihats. chiming arpeggios join the repeating chord riff creating another simple yet uplifting and playful mood which cant fail to get under your skin. closing the ep we have a wonky, shuffling house track which once again shows sam proving less is more, sampling his key elements into the mpc and jamming out the arrangement in a live and improvised way which brings a fresh, somewhat naive appeal to the production.

the 30d records machinery does not stop. a new stylistic adventure has been concretized in the new label’s series “eyes have it”, which will be conducted by the well-known sonar and 30d’s resident dj, angel molina, as a&r. the lucio fulci’s movies iconic scary-eyes synthesizes the series essence perfectly. “eyes have it” builds the fundamentals for the boundless experimentation, lightlessness, cold and mechanical dynamics. the ep “shelter” is the very first result of this new proposal, an incontestable work signed by isolated lines. the swiss artist has a solid background in underground music throughout various projects, in and outside of electronics. that means a wider creative resources that can be easily noticeable, for instance, in the music harmonies. avant-garde, solid sound and savoir-faire, that is what defines the isolated lines production. “shelter” ep stylistic codes are crystal clear, brazen obstinacy of the rhythm base which sets the basis for epic distorted textures, that may become deeply emotional, like in the cases of “onshore” and “landfall”. steadfast rhythmic cycles on slamming sound mantras. furthermore, the ep includes an industrially nervous revision of “onshore” constructed by 30drop. isolated lines’ “shelter” ep is an utterly flawless starting point for this strongly promising new 30d series. so henceforth, keep always an eye on “eyes have it”!

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

a firm favourite with the hot creation camp, jey kurmis returns to the label with his jessycat ep. following acclaimed releases lil’ nic french, kari and not too flabbeh on the imprint, we once again see the talented producer at the top of his game. the ep stays true to jey’s trademark sound as the producer delivers three tracks to take the dancefloor through to the small hours. the ep opens with jessycat, a bubbling tribal affair that implores you to move. an array of vocals bleeds into the record taking you on a journey to outer space. fien features co-producers nukov & yelmet and takes a darker turn with a rumbling bass and intense vocals that state “my head spinning like a merry go”. the outer space sounds continue into closing track vanstone, unfolding with a swinging bass and distorted stabs. part of the industry from more than a decade, jey kurmis has previously released on labels such as, moon harbour, leftroom and kaluki. taking his dj skills to new levels he has played the world’s hottest parties- from sonar to bpm, and the warehouse project to dc10. the leed’s based music maker has also commanded residencies at do not sleep and paradise.

justin chapman (half of the kemeticjust duo) is back with -stay my way-, his first release on visions recordings.
inspired by a distant collaboration with alex attias, the soul original version features chapman s signature vocal harmonies floating over latin influenced house rhythm and melody to provide the motivation for feet and hips.
the just one remix pushes things into the realm of broken beats with a hard swing on the drums, and a deep and jazzy bass walk that gives edge to the keys and vox melodies. classic just one here!justin has produced records for neroli, rushhour, sonar kollektiv and some collaboration with recloose for planet e and deetron for music man.
this single for visions is a long overdue collaboration with an artist we wanted to work with since 2001 when visions was based in london, so you can imagine how excited we are to take justin on board and release this single.

von der ostsee inspiriertes debüt zwischen neoklassik, ambient und elektronik. erscheint auf 180 gramm vinyl, downloadcode inklusive.

we need to talk. talk about the degree of none-readiness that is present in you. did you know that current value is actually a concept project which reflects on the current value of production standards? probably not. anyway, we proudly present to you current value’s album deadly toys on invisible.
did we mention you are not ready?
pressed on 2 x 12- coloured vinyl, gatefold sleeve & shrinkwrapped.
comes with a download card for the full album in 320 kbps mp3.
artwork by kuldar

llorca known for the success of his first album on f communication in 2001, returned in 2017 for his second album called the garden on must have jazz / membran. this album was a great opportunity for s3a records to work with him on the remix ep of this second album. cuthead, s3a, souleance and rim laurens make here 4 great remixes in completely different styles. this ep goes from the stomping house of cuthead to rim laurens breakbeat ambient, passing by s3a emotional disco/house track featuring georg levin (sonar kollektiv/bbe). s3a records is thrilled to present you llorca’s the garden remix ep.

cape town duo christian tiger school provide the 3rd part of the lissoms series. both graduates of the red bull music academy and part of the sónar line-up this summer - they’ve previously posted an lp for the mighty tommy boy & remixes for subpop, and had their work remixed by luminaries like mndsgn.
“if you want to” embodies their sound and the fervent cape town beats scene aptly - esoteric uk influences sit amongst ambient soundscapes and a cracked breakbeat, pinned on a looped bassline - growing in intensity but using the most subtle of touches.
gacha bakradze’s version posits the track somewhere between slow-burning disco and krautrock, framing the character of the original with loose jams on his array of studio gear.
finally, edmondson’s version is a minimal, 2-steppy take honed by the berlin sounds which have pricked his ears for the last couple of years.

the apparition of spanish female duo las grecas with their gipsy-rock sound in the 70s created quite a boom in the spanish market at the time and paved the way for other similar gipsy-rock duos. morena y clara were one of them. launched by bizarre flamenco producer lauren postigo, they released a string of 45s and three lps (highly sought after now) for the discophon label. they mixed rumba, flamenco, psychedelic rock, funk and disco music featuring an amazing production (heavy drums, fuzz-wah-phaser electric guitars, moog, hammond) over the wild flamenco female vocals of the duo. featuring their psychotronic hits like no llores mas, deje de quererte, buscando alegria and more.

alex ferrazzi and matteo keemani a.k.a. blue mondays, longtime laterra friends and collaborators (with releases on sonar kollektiv, rebirth, snatch!, memento, manocalda as well), strike again. they do it, as usual, their very own way: shades of balearic flavours in there, but with a very dark and malicious twist. marvin & guy add some disco nuances (keeping it raw and obscure, though), while nick anthony simoncino delivers a solid, strict, gloomy dancefloor affair. no frills, mad quality.

following the success of the last split release from label bosses adam shelton and subb-an, one records deliver a heavy-weight remix package of self control/ only now from perlon favourites melchior productions ltd aka thomas melchior and akufen aka horror inc. a standout release for the label, original tracks self control and only now are masterfully reworked by melchior and akufen who both utilise the distinct vocals from isis salam to deliver two monumental tracks. one records have enjoyed forming a bond with melchior this year, inviting him to play at label showcases in barcelona for off sonar and gotwood festival in the uk. they look forward to inviting both melchior and akufen to upcoming label parties.

a collection of tracks written & produced in 2016, milan, italy, including some of his first solo material after focusing on his cw/a project with francesco leali aka clockwork for a few years.
an audio engineer by trade, avatism records electronic music and operates parachute records from his milan-based studio. with original compositions and remixes on nonplus, vakant, decca, r&s and his own imprint, the young italian is well-respected for his own brand of dilapidated, muscular dance music. performing solely as a live act, his improvised transmissions echo through the walls of clubs like fabric, berghain, concrete, panorama bar and festivals of the calibre of sonar, audioriver and exit, either alone or under the guise of cw/a.

die brandneue ep -have you been there, have you seen it-, die nun bei ninja tune erscheint, findet eine helena hauff in atemberaubender form vor, die vier geschmeidige, muskulöse und unverhohlen dunkle analoge exkursionen präsentiert, die sie in ihrem studio in hamburg aufgenommen hat. eine sehr respektierte produzentin zum einen, besteht andererseits der kern von helena hauffs persönlichkeit aus ihrer hingabe und ihrem offenbar angeborenen talent für das dj-handwerk. gefeiert für ihre fähigkeiten und ihre einzigartige auswahl, erlebte sie in den vergangenen zwei jahren einen kometenhaften aufstieg, u.a. mit einer bbc radio 1 residency, mit ihrem ersten bbc radio 1 essential mix oder mit dem jetzt schon legendären b2b-set auf dem diesjährigen sónar mit ben ufo. zudem zierte sie u.a. das cover von crack magazine, dj mag oder der zweiten ausgabe des deutschen bookazines vinyl stories.
- 12-: schwarzes standardvinyl, coverdesign von carlo miozzi

french artist marc nguyen tan released two renowned albums in the early 2003 and 2006 under the artist name colder on trevor jackson’s seminal label output recordings. in november 2015, colder returned after a decade in hiatus with his third, highly acclaimed album many colours followed by two other lps titled the rain and goodbye in 2016. kasper bjorke is one of the most acclaimed and versatile producers and djs hailing from denmark. kasper has released five renowned solo albums over the past decade and remixed a wide range of artists, from rebolledo to weval. the two artists first started working together when kasper remixed colders single ”your kind” - and colder in return remixed bjørke s track ”marbled blood”. the idea to take their collaboration even further was formed when the two of them met in person during sonar festival in barcelona in 2015. in 2016 they then teamed up in the redbull studio in paris for a three day improvised recording session. the result is the black magic ep in stores on september 8th via throne of blood. a collection of five raw, driving post punk / new wave and techno influenced compositions, recorded via the studio ssl desk in paris, using hardware synths and drum machines played through some exotic vintage effects. colder recorded his mesmerizing vocals on the spot along with french drummer julien sabourin and saxophone player thibaut javoy. the ep will be followed by a stellar remix package from the golden filter (optimo music), mutado pintado (paranoid london) and french producer and dj pilooski.

los angeles based natan h and malta based artist owen jay return as gauss with their first ep of 2017. entitled resonator it offers more deep music with an electronic soul and is their fifth ep for their cultured label gauss ltd. the title track opens things up with a crunchy and impactful mix of weighty dub drums and spangled techno chords. it s a heavy track that builds in momentum and is sure to mangle minds with its skewed stabs and wiry electronics. shifted is a more fierce techno track with urgency in the kicks and a sense of anger in the coarse little snare explosions. more gurgling synths add weight and this one is a real stomper as a result. cutting ever more loose, odyssey is a mix of idm sound design, soulful synth smears and percolating electro tinged drums that are slick and futuristic. least squares completes this techno picture with spitting hits and claps, underwater chords and acidic sonar pulses that soothe the mind. this is an expansive ep that marks an exciting evolution in gauss s sound.

la pince records present the new release « lifeblood ep » of dub creators trio including 3 killers tracks techno, techhouse (limited edition as always 300 copies vinyl only).

becoming something of a label mainstay, cain returns to highlife! his fourth release sirin is a big yin! it s been a secret weapon round these parts for a while now and we re finally pleased to be sharing it with you alongside the kicking kaldi and tumbi , which serves as a summer sweetener. with early support from the likes of ben ufo, jackmaster and damian lazarus (who recently opened his sonar set with tumbi) we anticipate it being a big release throughout the festival season.

after turning heads with their first two releases brisbanes radio show come record label beats of no nation (bonn) is here with release number three. the hollywood ep comes from bonn co-founder jad lee aka jad &the(fka jad & the ladyboy). off the back of recent 2017 releases on labels sonar kollektiv, 2mr, and axe on wax jad brings it home to beats of no nation with the hollywood ep which takes its name from the obscure samples jad pulled from a bundle of dusty vhs movie tapes. londoner deejay astral provides a remix of the a1 theatrical trailer and he masterfully takes the bass line from the original and makes the remix into something his own.

der wahlberliner dauwd, veröffentlicht anfang juni sein debütalbum auf dem ninja tune tochterlabel technicolour! der wahlberliner dauwd al hilali, welcher vor allem durch seine ep-releases auf labels wie ghostly international oder kompakt in den letzten jahren aufgefallen ist, veröffentlicht sein debütalbum ‘theory of colours’ auf ninja tune s tochterlabel technicolour. inspiriert von legenden der 50 & 60er jahre wie terry riley & raymond scott nahm dauwd ein großteil des albums über den zeitraum eines jahres in den berühmten sonar traffic studios in utrecht auf, in welchen eine der größten europäischen sammlungen an vintage synthesizern und anderem modular-equipment stehen. fertig gestellt wurde das 7-song starke album letztes jahr in berlin, wo er auch die berüchtigte african acid is the new future party co-organisiert und welche er als basis zwischen seinen dj touren und festivalauftritten auf der ganzen welt nutzt.
- cd: digipac
- lp: schwarzes standard vinyl in farbig bedruckter innenhülle inklusive mp3 downloadcode

italo-cosmonauts marvin & guy board life and death with superior conjunction. alessandro parlatore and marcello giordani’s four-tracker explores parallel worlds through expert synthesiser sequencing and cavernous vocals features. celestial melodies paired with athena’s stream of consciousness italian recital guarantees superior conjunction’s dance floor devastation. arpadia’s hypnotic theme compliments the title track’s restrained drama, while fantastic twins recital elevates the train of fantastic to an altered state of being. the ep is out on june 16th, right on time for this year’s life & death off sonar event in barcelona.